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Read more →KLAW, a country radio station in Oklahoma, runs a readers' poll asking who should win Best Country Solo Performance at the Grammy Awards. The ballot is published at klaw.com, KLAW's own web address. Confirmed editions ran in 2018 and 2022. The 2018 terms allowed a vote as often as once per hour through 11:59PM ET on Jan. 25, after which The Boot tallied the results for readers versus staff predictions.
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KLAW is a radio station registered in Oklahoma, and its Best Country Solo Performance Grammy Awards Predictions page is a readers' poll built around a single Grammy category. The ballot is published at klaw.com on the station's own web address, and no outside balloting service carries the vote for this Grammy category. The page asks one question: who should win Best Country Solo Performance at the Grammy Awards.
The vertical here is award predictions rather than a business directory. Unlike the multi-category readers' choice ballots that fill the Oklahoma calendar, this poll covers one category, one awards night, and one audience: the station's country-music listeners across the state. KLAW names no city on the ballot itself, and the station's coverage area is Oklahoma as a whole rather than any single town.
| Program | Best Country Solo Performance Grammy Awards Predictions |
|---|---|
| Organizer | KLAW, an Oklahoma radio station |
| Platform | Organizer's own site, klaw.com |
| Voting URL | klaw.com/best-country-solo-performance-2018-grammy-awards-predictions/ |
| State | Oklahoma |
| Vertical | Award predictions (best-of) |
| Mechanic | Public vote |
| Confirmed editions | 2018 and 2022 |
Because the poll is published on klaw.com rather than on a separate balloting service, the question, the embedded poll, and the printed voting terms all occupy a single page. That single-page shape is what separates this ballot from the larger Oklahoma readers' choice programs described later on this page.
Two editions of the KLAW Grammy poll are confirmed: 2018 and 2022. The 2018 page carried the title "POLL: Who Wins Best Country Solo Performance at the 2018 Grammys?" and printed the fullest terms of any cycle. Supporters could vote as often as once per hour through 11:59PM ET on Jan. 25, and the ballot text said The Boot would tally the results after the close and reveal them as part of readers versus staff predictions for "Music's Biggest Night."
The 2022 edition is confirmed as a year the poll ran, but KLAW's pages for that cycle print far less detail than the 2018 page did. No terms text, no closing hour, and no tally arrangement are spelled out for it anywhere on the station's site.
KLAW has not printed a nominee roster, a per-supporter limit, or a closing date for the current cycle; confirm on the live ballot each cycle.
What those two editions establish is the shape of the event: a January-timed poll tied to the Grammy broadcast, run on the station's own web address, with results folded into a readers-versus-staff comparison rather than announced as a standalone winner. Any edition beyond 2022 depends on the station choosing to publish a new page for the category.
Voting in the KLAW poll is a plain public vote with no account requirement stated on the 2018 page. A supporter opens the ballot at klaw.com, scrolls to the embedded poll, picks a nominee, and submits. The printed terms allowed a return as often as once per hour, which means a dedicated supporter could vote many times across the January window that ended at the printed deadline in the 2018 cycle.
No login is mentioned on the ballot page, and no eligibility rule is printed either, so any visitor who reaches the page can participate under the terms shown. Because the hourly allowance resets rather than accumulating, the practical skill in this poll is rhythm: supporters who set a steady pattern through the day outpace those who vote once and leave. The poll closes hard at the stated deadline, and the tally that follows is out of voters' hands entirely.
One caution follows from the single-page design. Since the poll sits on klaw.com rather than on a dedicated balloting platform, there is no separate rules page to consult; the wording printed beside the poll is the whole rulebook. Read it before organizing any repeat-voting effort, because the station is free to change the hourly terms from one Grammy cycle to the next without notice anywhere else.
Oklahoma readers have no shortage of public ballots, but nearly all of them are business directories. 405 Magazine runs the Best of 405, Best of OKC appears in two forms, from the general ballot and the Oklahoma Gazette edition, Best of the 405 runs separately, the Norman Transcript Readers' Choice serves Norman, and Best of Claremore covers Claremore.
The KLAW Grammy poll is the odd one out in that company. It names no businesses, hands out no city titles, and asks a single music question tied to a national awards broadcast. A vote here is a prediction about an artist's chances in Best Country Solo Performance, not a recommendation about a plumber or a restaurant. That makes the audience different too: country-music listeners reacting to the Grammy category rather than residents ranking local services across dozens of categories.
The tactics differ as well. A month-long business ballot rewards a sustained community campaign, while an hourly music poll rewards disciplined repeat visits inside a short window. Supporters who move between the two formats should not assume that what works on a readers' choice ballot transfers directly to the KLAW Grammy page, because the timing structures are nothing alike.
The hourly mechanic is the whole game in this poll. A supporter who votes once contributes a single data point; a supporter who returns every hour through the window contributes dozens. Organizing that return rhythm, through reminders to a fan group, a shared schedule, or a coordinated morning push, is the most effective legitimate tactic the ballot's own printed terms allow.
KLAW's page sets no stated policy on organized voting drives, so the printed hourly limit is the only rule a supporter can point to when planning an effort. Anything that stays inside that limit is operating exactly as the ballot invites; anything that depends on terms from a different contest has no bearing here. For tactics that carry across public ballots generally, see our guide on getting more votes online, and for the awards-show context see the award votes page.
Visit the Best Country Solo Performance poll on klaw.com, the Oklahoma station's own web address. The 2018 ballot carried the title POLL: Who Wins Best Country Solo Performance at the 2018 Grammys, and later cycles live at the station's Grammy predictions address.
Check whatever rules the current page prints before voting. The 2018 terms allowed one supporter vote as often as once per hour, but KLAW has not republished those terms for later cycles, so the live wording is the only rule that counts.
Scroll to the embedded poll on the ballot page, choose the artist you believe should win Best Country Solo Performance, and submit the pick. No account or login is mentioned anywhere on the 2018 page, so the vote is open to any visitor.
Come back as often as the printed terms allow, once per hour on the 2018 ballot, until the stated close, which fell at 11:59PM ET on Jan. 25 that cycle. A steady hourly rhythm is worth far more than a single visit.
Once the poll closes, the ballot text says The Boot tallies the results and reveals them as part of readers versus staff predictions for Music's Biggest Night. Nothing a supporter does after the deadline changes the count.
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Last reviewed June 2026. Contest dates, rules and vote caps change each season — always confirm the current rules on the official contest page before you vote.
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